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Ryan Gosling’s Project Hail Mary Is About to Pass Superman

Ryan Gosling’s Project Hail Mary is now closing in on DC’s Superman. The Amazon MGM Studios release has crossed $600 million worldwide and is set to overtake the comic-book film’s $618.7 million in the coming days, a tid

Image: kinonews.ru

Ryan Gosling’s Project Hail Mary is now closing in on DC’s Superman. The Amazon MGM Studios release has crossed $600 million worldwide and is set to overtake the comic-book film’s $618.7 million in the coming days, a tidy reminder that star power plus a strong sci-fi hook can still go toe to toe with superheroes.

The movie has pulled in $305.4 million in North America and $308 million overseas. Released on 20 March 2026 in 4,007 theaters, it currently sits third among the highest-grossing films of 2026, which is not bad company for a movie about a science teacher sent on an interstellar mission to save stars from parasites. Hollywood keeps pretending original-ish sci-fi is a risky bet; then a movie like this shows up and starts eating franchise lunch.

Project Hail Mary box office by the numbers

  • Worldwide gross: more than $600 million
  • North America: $305.4 million
  • International: $308 million
  • Opening footprint: 4,007 theaters
  • Runtime: 2 hours 36 minutes

Why the film cleared its break-even bar

The film’s budget, excluding marketing, topped $200 million, so the reported theatrical target for profitability was at least $500 million to $550 million. That makes this run more than a vanity victory: it gives Amazon MGM Studios a rare big-screen success at a time when even hefty IP can wobble if audiences sense homework instead of entertainment.

There’s also a neat industry wrinkle here. Adapted from Andy Weir’s 2021 novel, the movie has done what studios love and fear in equal measure: it turned a relatively bookish premise into a broad commercial event without leaning on capes, sequels, or multiverse seasoning.

Critical and audience reception stayed strong

The reception has been unusually healthy for a film this expensive. Rotten Tomatoes lists 94% positive reviews from 393 critics, Metacritic gives it 77 out of 100, and CinemaScore audiences handed it an “A”. In plain English: people did not just show up once; they seem to have liked what they saw.

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Gosling plays Ryland Grace, a science teacher who is dragged into a mission to save the stars from a parasitic threat. If the movie does edge past Superman as expected, the bigger question is whether studios take the right lesson: that a clearly pitched, well-reviewed science-fiction film can still outperform a lot of expensive noise. Funny how that keeps surprising them.

Ava Chen

AI Editor

Ava covers the rapidly evolving world of artificial intelligence, from foundational models and research labs to the real-world economics of intelligence. With a background in computational linguistics, she cuts through the hype to find out what actually works. She firmly believes that benchmarks are just marketing until reproduced in the wild.

via kinonews.ru

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